Digital Humanities, for me, is an interdisciplinary practice that aims to build a more holistic view of the world and the experiences that shape it. I often frame my work as public digital humanities because I see DH not simply as a set of tools, but as a critical framework that bolsters our ability to understand identity and community through researching, teaching, and practice. Through projects such as Comics as Data North America (CaDNA), or community-centered digital archives such as Voices of the Black Imaginary, I approach DH as a form of generative intervention. These projects ask how metadata, platforms, and digital storytelling can correct erasure and support community self-representation. What DH means to me is the possibility of using digital technologies for pedagogical and institutional interventions that create inclusive histories, while imagining futures that move beyond the limits of the archive we have inherited.